Original needlepoint art

Inspired by decorative Islamic tiles, architecture and flora.

Contemporary needlepoint. Visual culture.

A slow process of creative translation, made with passion, dedication and imagination. These needlepoint pieces are stitched by hand onto mesh canvas, in a way that resembles pixels. It differs from traditional tapestry woven on a loom, with a warp and weft. The size of the stitches (resembling pixels) is determined by the mesh hole size and the relative thickness of wool being used. Some works are finely stitched, others are more textural, chunky and architectural.

All of Natalie’s works are originals, mostly designed from her own photographs. She enlarges the designs to the required finished size, draws the outline of the main motifs onto the canvas, then stitches the patterns in a freestyle manner, without charting or graphic the pattern. Individual flourishes and variations are added as part of the creative process.

Hand stitching is a slow, relaxing process that allows Natalie to feel connected to the visual culture and heritage of the site of origin that inspired her work.

Listen to Natalie on location in Sharjah, United Arab Emirates

Videography and stills: moonlightmedia.me, 2024

Publication

Ghorzah: Islamic Architecture in Needlepoint

This books takes you on an expedition to Morocco, United Arab Emirates and Uzbekistan to illustrate how glorious Islamic architecture and decorate tile work is used to inspire my needlepoint tapestry.

Ghorzah was launched via an online event on 21 September, 2021. You can view the launch event on YouTube here.

Read a review of the book by UAE-based textile writer, Ansie Van Der Walt, here.

 
Ghorzah_ Islamic architecture in needlepoint_ Cover.jpg

104 full colour glossy pages. 90+ full colour images. Wide A4 size. Includes detailed instructions for a small needlepoint project.